2021 marked the 700th anniversary of Dante’s death and saw the publication on March 25 of Pope Francis’ Candor Lucis Aeterna, a lucid analysis of Dante and his work. This is the fourth and final of a series of Ius et Iustitium pieces by Aníbal Sabater discussing lawyers in the Divine Comedy. The first three pieces, “Dante’s Lawyers from Hell,” “Dante’s Lawyers from Purgatory: Cato,” and “Dante’s Lawyers from Purgatory: Trajan,” can be found here. The goal of the pieces is to show how the classical legal theory pervades the Commedia.
As Beatrice and Dante ascend through Paradiso, they reach the sphere of Mercury, which shines splendidly because of its proximity to the sun. The view is impressive and Dante, mischievously ignoring the immutability of Heaven, claims that the planet becomes even more radiant as Beatrice sets her foot on it. The souls in Mercury are pure light, and one of them offers Dante a seat. Paradiso’s Canto 5 finishes with Dante accepting and asking the spirit who he is. In Canto 6, the spirit responds:
Cesare fui e son Iustinïano, che, per voler del primo amor ch’i’ sento,d’entro le leggi trassi il troppo e ’l vano.[1] | Cesar I was, and I am Justinian, Who, by will of the first love that I feel,Excised from the laws all that was excessive and vain. |
The speaker is the Eastern Roman Emperor Justinian (482-565) and the excised laws he mentions are those in the Corpus Iuris Civilis—his monumental compilation that remains the basis for the study of Roman law today. Continue reading “Dante’s Lawyers from Heaven: Justinian”